The best and worst zombie flicks ever made

Chickens Have a Nightmare Called Poultrygeist The film Dead is a typical violent and low-budget Troma production. The parody of consumerism in this piece is very funny.

A group of stranded boaters discover a sunken SS submarine's zombie crew on a desolate island. Peter Cushing as an insane-looking SS Commander.

Sam Raimi produced The Dead Next Door and used Evil Dead II revenues to pay J. R. Bookwalter to direct. It was a SUPER 8 zombie action-drama with cringe-worthy amateur acting and surprise professionalism.

A party of tourists explores the abandoned remains of a monstrous Templar abbey, waking the blind dead who can identify you by listening to your heartbeat. They are followed through a field by a group of zombie Templar knights holding swords and riding zombie horses.

Deadgirl delves on the sexuality of the undead, with a group of adolescent lads bickering over who gets to assault the dead girl next. The picture is effectively frightening and filthy, and it makes the list solely for proposing a use for zombies that had not been explored in this detail in the previous 40 years.

Warm Bodies is a romantic comedy about two star-crossed zombies who meet their authoritarian father. The humorous friendship between the characters is one of the greatest aspects of the picture.

Some whites accept colonialism's worst aspects as refugees.

In Let Sleeping Corpses Lie, a sonic radiation machine rises the living dead from the soil.

Robert Rodriguez and Quentin Tarantino make a goofy zombie movie, Planet Terror, that's about destructive zombie/mutants created by a biological weapon to terrorize the southwestern countryside. It's really good at being that kind of film, and deserved to make far more at the box office.

28 Weeks Later is an intriguing, terrifying, powerful, and infuriating picture for zombie/horror genre aficionados, but it breaches an unwritten rule of zombie filmmaking by having a'main zombie' who escapes and robs the other infected of being viewed as serious threats.

Tom Savini's 1990 remake of Night of the Living Dead is a faithful remake that doesn't innovate anything. If it weren't Night of the Living Dead, it would be a classic.

One Cut of the Dead is a comedic zombie movie that centers on the live performance of a short film.

The film portrays the inventiveness and flexibility of low-budget directors like George Romero via its focus on these themes (the film is also about a shoestring budget and DIY mentality).

A low-budget zombie drama about a former baseball pitcher and catcher traveling across the country together in the wake of a zombie apocalypse. The zombies are there, but they mostly just get in the way and remind these men of everything they've lost.

Alien slugs with parasites come to Earth and turn people into zombies with superpowers. It's a risky, trashy horror movie that takes place in college and often reminds me of Animal House.

Hammer Horror created a number of famous monster pictures, including now updated Dracula, Frankenstein, and The Mummy, as well as a fantastic zombie film, Plague of the Zombies. Their zombies have a rotting, horrifying appearance, and its aesthetic effect on Night of the Living Dead is very evident.

Dawn of the Dead by Zack Snyder is a leaner, more violent, and action-packed modern zombie thriller that owes a great deal to 28 Days Later. It boasts one of the best beginning moments in zombie film history.

The Beyond, which was directed by Lucio Fulci, has elements of a haunted house, the living dead, and haunting ghosts.

In 2007, both the first Paranormal Activity film and Romero's own Diary of the Dead were released. The best found-footage zombie film is still REC, a Spanish film that blends traditional zombie myth with Catholic spirituality.

A mystery scheme sets up the screening of a terrifying movie and the spread of zombies and demons among the audience, which leads to violence and people attempting to remain alive.

Romero's film established the principles of the zombie subgenre and influenced all subsequent zombie films. It is the horror equivalent of Tolkien's influence on high fantasy races, and no discussion of zombies is complete without referencing Romero's film.

Movies like "28 Days Later" and "Shaun of the Dead" proved that zombies can be funny.

The conventional Romero ghoul is reimagined in Day of the Dead, which features Bub, maybe Romero's most famous zombie, who has an unique degree of personality and even humor.

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